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Claire Morgan

Header

  • Works
    • 2025-26
    • 2022-24
    • 2020-22
    • 2018-19
    • 2015-17
    • 2013-14
    • 2009-12
    • 2002-09
    • Commissions
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It happens to be

2020; Blue Tit (taxidermy), thistle seeds, nylon, lead; 316 x 285 x 178 cm
Photo: Claire Morgan Studio
/
Private Commission.

If You Go Down to the Woods Today

2014; Muntjac deer (taxidermy), butterflies, polythene, nylon, lead; 300 x 300 x 250cm
Photo: Claire Morgan Studio

Throe

2010; Two rooks (taxidermy), thistle seeds, nylon, lead, acrylic; 300 x 180 x 180cm
Photo: Christopher Clem Franken

Act of God

2015; Polythene, nylon, lead, aluminum; dimensions variable
Photo: Christopher Clem Franken
/
Commissioned by Kunst-Station Sankt Peter, Cologne.

Full of Grace

2016; Fox (taxidermy), dandelion seeds, nylon, in vitrine; 73.5 x 51.7 x 66.6cm
Photo: Claire Morgan Studio

The Vanity of Supposing Significance

2017; Two peafowl (taxidermy), polythene, nylon, lead, cob; 350 x 251 x 299cm
Photo: Nikolai Saoulski

Murmurations

2016; Polythene, nylon, lead, acrylic; 500 x 1650 x 660 cm
Photo credit: 111 BPR Photography

Gone to Seed

2011, Carrion crow (taxidermy), thistle seeds, nylon, lead, acrylic, 300 x 240 x 180cm
Photo: Jordan Hutchings

Water on the Brain

2006, 5,300 origami paper boats, fishing line, steel, 160 x 600 x 900 cm
Photo: Claire Morgan Studio

Slump

2018; Squirrel (taxidermy), dandelion seeds, nylon in vitrine; 98.5 x 61.9 x 61.8cm

Fantastic Mr Fox

2008; Fox (taxidermy), polythene, desiccated rabbit meat, fishing hooks, nylon, lead, acrylic; 370 x 210 x 250 cm

A New Moon

2005; Polycarbonate lightbulb with festoon lighting (lightbulb: 430 x 250 x 250 cm, suspended from 30m tower crane
/
Part of Sparks public art programme, curated by InSite Arts, commissioned by Canterbury City Council with funding from Arts Council England.

Fluid (II)

2009; Crow (taxidermy), strawberries, fishing hooks, nylon; dimensions variable

To An End

2017; Blackbird (taxidermy), wood, polythene, nylon, vitrine; 108.5 x 56.7 x 56.7 cm

The Owl and the Pussycat

2014; Barn owl and domestic cat (taxidermy), torn pale blue polythene, nylon, lead; 300 x 150 x 150 cm

Here is the End of All Things

2011 , Thistle seeds, bluebottles, barn owl (taxidermy), nylon, lead, acrylic, dimensions variable

Time of Death

2017; Swallow (taxidermy), greenbottle flies, nylon, vitrine; 77.9 x 46.6 x 71.4 cm
Photo: David Lawson

Human Nature

2016; Jackdaw (taxidermy), polythene, nylon, lead; dimensions variable

  • You will not stop here
  • Hold me tightly lest I fall
  • Exhibition view, Joy in the Pain
  • A tentative strategy for a renewal, or, wanting to tell you everything and then changing my mind
  • It happens to be
  • Throe
  • Act of God
  • Full of Grace
  • The Vanity of Supposing Significance
  • Murmurations
  • Exhibition view, Joy in the Pain, Saarlandmuseum Moderne Galerie
  • Gone to Seed
  • Water on the Brain
  • Exhibition view, Joy in the Pain
  • Slump
  • Fantastic Mr Fox
  • A New Moon
  • If You Go Down to the Woods Today
  • Fluid (II)
  • To An End
  • The Owl and the Pussycat
  • Here is the End of All Things
  • Time of Death
  • Human Nature

© Claire Morgan 2023MINIMAL

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