A tentative strategy for a renewal, or, wanting to tell you everything and then changing my mind2021, Thistle seeds, nylon, lead, mixed media, 321 x 955 x 360 cm Photo: Nicolas Brasseur Exhibition view, A tentative strategy for a renewal, or, wanting to tell you everything and then changing my mind Galerie Karsten Greve Paris, 2021 Photo: Nicolas Brasseur Snag 2021 Stoneware, animal skins (deer, fox, badger, gannet, squirrel, crow, duckling), mixed media 181 x 121.5 x 100 cm Photo: Nicolas Brasseur Snag2021 Stoneware, animal skins (deer, fox, badger, gannet, squirrel, crow, duckling), mixed media 181 x 121.5 x 100 cm Photo: Nicolas Brasseur All of the things I have ever lost2021, Torn post-consumer plastic, nylon, lead, 1270 x 500 x 500 cm Photo: Tom Gundelwein All of the things I have ever lost (detail)2021, Torn post-consumer plastic, nylon, lead, 1270 x 500 x 500 cm Photo: Tom Gundelwein There, but for the grace2021, Stoneware, fox skin, thistle seeds, nylon, lead, mixed media, 300 x 196 x 135 cm Photo: Tom Gundelwein There, but for the grace (detail)2021, Stoneware, fox skin, thistle seeds, nylon, lead, mixed media, 300 x 196 x 135 cm 2021, Torn post-consumer plastic, nylon, lead, 1270 x 500 x 500 cm Photo: Tom Gundelwein You asked me if anyone had ever broken my heart and I thought of my mother2021, Lithograph on paper, 38 x 56 cm, Edition of 25 Photo: David Lawson Mourning for real2021, Chaffinch skin, polythene, nylon, in vitrine, 44.4 x 41.4 x 41.2 cm Photo: John McKenzie Rupture2021, Blue tit skin, polythene, nylon, mirror, in vitrine, 44.3 x 41.3 x 41.2 cm Photo: John McKenzie Where does the sky start2021, House sparrow skin, polythene, nylon, mirror, in vitrine, 44.5 x 41.5 x 41.5 cm Photo: John McKenzie Arresting2021, Rook skin, dandelion seeds, nylon, in vitrine, 170 x 63.3 x 63.3 cm Photo: John McKenzie Being on fire2021, Hooded crow skin, polythene, nylon, in vitrine, 170 x 63.3 x 63.3 cm Photo: John McKenzie But in the end the lines become circles2021, Crow skin, dandelion seeds, nylon, in vitrine, 170 x 63.3 x 63.3 cm Photo: John McKenzie I couldn’t get enough 2021, Greenfinch skin, polythene, nylon, mirror, in vitrine, 34.4 x 31.1 x 31.1 cm Photo: John McKenzie I thought that love was loss2021, Willow warbler skin, dandelion seeds, nylon, mirror, in vitrine, 34.3 x 30.1 x 30.2 cm Photo: John McKenzie Never enough 2021, Goldfinch skin, polythene, nylon, mirror, in vitrine, 34.4 x 31.2 x 31.2 cm Photo: John McKenzie Tooth2021, Glazed stoneware, 11 x 67.5 x 20 cm, Edition of 5 Photo: John McKenzie I don’t know how to begin. I don’t know how to stop. 2021, Graphite, pigment, pastel, fox hair on paper, 152.8 x 122 cm Photo: John McKenzie I don’t know where to begin. I don’t know where to stop.2021, Pastel, pigment on paper, 101.7 x 67.9 cm Photo: John McKenzie There are no words2021, Charcoal, pigment on paper, 101.6 x 66.5 cm Photo: John McKenzie Snag2021, Pastel, pencil and watercolour on paper, 37 x 28.3 cm Photo: David Lawson Or2021, Charcoal on paper, 59.4 x 127.9 cm Photo: John McKenzie Archaeology (10409)2021, Charcoal on paper, 25.5 x 25.4 cm Photo: John McKenzie Archaeology (10507)2021, Charcoal on paper, 25.5 x 25.3 cm Photo: John McKenzie Archaeology (10508)2021, Charcoal on paper, 25.5 x 25.5 cm Photo: John McKenzie Archaeology (11508)2021, Charcoal on paper, 25.4 x 25.4 cm Photo: John McKenzie Archaeology (11607)2021, Charcoal on paper, 25.4 x 25.4 cm Photo: John McKenzie Archaeology (12008)2021, Charcoal on paper, 25.4 x 25.5 cm Photo: John McKenzie Archaeology (12107)2021, Charcoal on paper, 25.4 x 25.4 cm Photo: David Lawson Archaeology (III)2021, Charcoal on paper, 25.4 x 25.4 cm Archaeology (IV)2021, Charcoal on paper, 25.4 x 25.4 cm Archaeology (V)2021, Charcoal on paper, 25.4 x 25.4 cm A tentative strategy for a renewal, or, wanting to tell you everything and then changing my mind2021, Thistle seeds, nylon, lead, mixed media, 321 x 955 x 360 cm Photo: Nicolas Brasseur Exhibition view, A tentative strategy for a renewal, or, wanting to tell you everything and then changing my mind Galerie Karsten Greve Paris, 2021 Photo: Nicolas Brasseur Snag 2021 Stoneware, animal skins (deer, fox, badger, gannet, squirrel, crow, duckling), mixed media 181 x 121.5 x 100 cm Photo: Nicolas Brasseur Snag2021 Stoneware, animal skins (deer, fox, badger, gannet, squirrel, crow, duckling), mixed media 181 x 121.5 x 100 cm Photo: Nicolas Brasseur All of the things I have ever lost2021, Torn post-consumer plastic, nylon, lead, 1270 x 500 x 500 cm Photo: Tom Gundelwein All of the things I have ever lost (detail)2021, Torn post-consumer plastic, nylon, lead, 1270 x 500 x 500 cm Photo: Tom Gundelwein There, but for the grace2021, Stoneware, fox skin, thistle seeds, nylon, lead, mixed media, 300 x 196 x 135 cm Photo: Tom Gundelwein There, but for the grace (detail)2021, Stoneware, fox skin, thistle seeds, nylon, lead, mixed media, 300 x 196 x 135 cm 2021, Torn post-consumer plastic, nylon, lead, 1270 x 500 x 500 cm Photo: Tom Gundelwein You asked me if anyone had ever broken my heart and I thought of my mother2021, Lithograph on paper, 38 x 56 cm, Edition of 25 Photo: David Lawson Mourning for real2021, Chaffinch skin, polythene, nylon, in vitrine, 44.4 x 41.4 x 41.2 cm Photo: John McKenzie Rupture2021, Blue tit skin, polythene, nylon, mirror, in vitrine, 44.3 x 41.3 x 41.2 cm Photo: John McKenzie Where does the sky start2021, House sparrow skin, polythene, nylon, mirror, in vitrine, 44.5 x 41.5 x 41.5 cm Photo: John McKenzie Arresting2021, Rook skin, dandelion seeds, nylon, in vitrine, 170 x 63.3 x 63.3 cm Photo: John McKenzie Being on fire2021, Hooded crow skin, polythene, nylon, in vitrine, 170 x 63.3 x 63.3 cm Photo: John McKenzie But in the end the lines become circles2021, Crow skin, dandelion seeds, nylon, in vitrine, 170 x 63.3 x 63.3 cm Photo: John McKenzie I couldn’t get enough 2021, Greenfinch skin, polythene, nylon, mirror, in vitrine, 34.4 x 31.1 x 31.1 cm Photo: John McKenzie I thought that love was loss2021, Willow warbler skin, dandelion seeds, nylon, mirror, in vitrine, 34.3 x 30.1 x 30.2 cm Photo: John McKenzie Never enough 2021, Goldfinch skin, polythene, nylon, mirror, in vitrine, 34.4 x 31.2 x 31.2 cm Photo: John McKenzie Tooth2021, Glazed stoneware, 11 x 67.5 x 20 cm, Edition of 5 Photo: John McKenzie I don’t know how to begin. I don’t know how to stop. 2021, Graphite, pigment, pastel, fox hair on paper, 152.8 x 122 cm Photo: John McKenzie I don’t know where to begin. I don’t know where to stop.2021, Pastel, pigment on paper, 101.7 x 67.9 cm Photo: John McKenzie There are no words2021, Charcoal, pigment on paper, 101.6 x 66.5 cm Photo: John McKenzie Snag2021, Pastel, pencil and watercolour on paper, 37 x 28.3 cm Photo: David Lawson Or2021, Charcoal on paper, 59.4 x 127.9 cm Photo: John McKenzie Archaeology (10409)2021, Charcoal on paper, 25.5 x 25.4 cm Photo: John McKenzie Archaeology (10507)2021, Charcoal on paper, 25.5 x 25.3 cm Photo: John McKenzie Archaeology (10508)2021, Charcoal on paper, 25.5 x 25.5 cm Photo: John McKenzie Archaeology (11508)2021, Charcoal on paper, 25.4 x 25.4 cm Photo: John McKenzie Archaeology (11607)2021, Charcoal on paper, 25.4 x 25.4 cm Photo: John McKenzie Archaeology (12008)2021, Charcoal on paper, 25.4 x 25.5 cm Photo: John McKenzie Archaeology (12107)2021, Charcoal on paper, 25.4 x 25.4 cm Photo: David Lawson Archaeology (III)2021, Charcoal on paper, 25.4 x 25.4 cm Archaeology (IV)2021, Charcoal on paper, 25.4 x 25.4 cm Archaeology (V)2021, Charcoal on paper, 25.4 x 25.4 cm