You will not stop here
2024, Bird skins, fox skin, polythene, nylon, lead, wax, mixed media, 407 x 1146 x 1175 cm
Photo: Simon Mills courtesy of Golden Thread Gallery
Hold me tightly lest I fall
2024, Bird skins, feathers, thistle seeds, Polythene, nylon, lead, wax, mixed media, 440 x 2000 x 2000 cm
Photo: Christian Redtenbacher
The inevitable heat death of the universe
2023, Wax, human hair, bird skins, mixed media, 350 x 380 x 380 cm
Photo: Nicolas Brasseur
Exhibition view, Joy in the Pain
Saarlandmuseum Moderne Galerie, 2021
Photo: Tom Gundelwein
A tentative strategy for a renewal, or, wanting to tell you everything and then changing my mind
2021, Thistle seeds, nylon, lead, mixed media, 321 x 955 x 360 cm
Photo: Nicolas Brasseur
Strung Out
2023, Wax, human hair, feathers, mixed media, in vitrine, 184 x 78 x 68 cm
Photo: John McKenzie
It happens to be
2020, Blue Tit (taxidermy), thistle seeds, nylon, lead, 316 x 285 x 178 cm
Photo: Claire Morgan Studio
Throe
2010, Thistle seeds, rooks (taxidermy) , nylon, lead, acrylic, 300 x 180 x 180 cm
Act of God
2015, Polythene, nylon, lead, aluminum, dimensions variable,
Photo: Christopher Clem Franken
Full of Grace
2016, Fox (taxidermy), dandelion seeds, nylon, in vitrine, 73.5 x 51.7 x 66.6cm
Photo: Claire Morgan Studio
The Vanity of Supposing Significance
2017, Two peafowl (taxidermy), polythene, nylon, lead, cob; 350 x 251 x 299cm,
Photo: Nikolai Saoulski
Murmurations
2016, Polythene, nylon, lead, acrylic, 500 x 1650 x 660 cm
Photo credit: 111 BPR Photography
Exhibition view, Joy in the Pain, Saarlandmuseum Moderne Galerie
Photo: Tom Gundelwein
Gone to Seed
2011, Thistle seeds, carrion crow (taxidermy), nylon, lead, acrylic, 300 x 240 x 180 cm
Water on the Brain
2006, 5,300 origami paper boats, fishing line, steel, 160 x 600 x 900 cm
Photo: Claire Morgan Studio
Exhibition view, Joy in the Pain
Saarlandmuseum Moderne Galerie, 2021
Photo: Tom Gundelwein
Slump
2018, Squirrel (taxidermy), dandelion seeds, nylon in vitrine, 98.5 x 61.9 x 61.8cm
Fantastic Mr Fox
2008, Fox (taxidermy), polythene, rotted rabbit meat, fishing hooks, nylon, lead, acrylic, 250 x 210 x 250 cm
A New Moon
2005, Polycarbonate structure, 430 x 250 x 250 cm
If You Go Down to the Woods Today
2014, Muntjac deer (taxidermy), butterflies, polythene, nylon, lead, 300 x 300 x 250cm
Photo: Claire Morgan Studio
Fluid (II)
2009, Crow (taxidermy), strawberries, fishing hooks, nylon, dimensions variable
To An End
2007, Blackbird (taxidermy), wood, polythene, nylon, vitrine, 108.5 x 56.7 x 56.7 cm
The Owl and the Pussycat
2014, Barn owl and domestic cat (taxidermy), torn pale blue polythene, nylon, lead, 300 x 150 x 150 cm
Here is the End of All Things
2011 , Thistle seeds, bluebottles, barn owl (taxidermy), nylon, lead, acrylic, dimensions variable
Photo: Tom Gundelwein
Time of Death
2017, Swallow (taxidermy), greenbottle flies, nylon, vitrine, 77.9 x 46.6 x 71.4 cm
Photo: David Lawson
Human Nature
2016, Jackdaw (taxidermy), polythene, nylon, lead, dimensions variable