Strung Out
2023, Wax, human hair, feathers, mixed media, in vitrine, 45 x 45 x 6 cm
Photo: John McKenzie
Hold me tightly lest I fall
2024, Bird skins, feathers, thistle seeds, Polythene, nylon, lead, wax, mixed media, 440 x 2000 x 2000 cm
Photo: Christian Redtenbacher
A tentative strategy for a renewal, or, wanting to tell you everything and then changing my mind
2021, Thistle seeds, nylon, lead, mixed media, 321 x 955 x 360 cm
Photo: Nicolas Brasseur
Show of Strength
2023, Pastel, charcoal, on stained birch board, 183 x 242 x 6 cm
Photo: John McKenzie
Here is the End of All Things
2011 , Thistle seeds, bluebottles, barn owl (taxidermy), nylon, lead, acrylic, dimensions variable
Photo: Tom Gundelwein
Bare
2024, Bird skin (Green Woodpecker), painted ceramic, 9 x 18.6 x 41.4 cm
Photo: John McKenzie
You will not stop here (detail)
2024, Bird skins, fox skin, polythene, nylon, lead, wax, mixed media, 407 x 1146 x 1175 cm
Photo: Simon Mills courtesy Golden Thread Gallery
You will not stop here
2024, Textile, 43 x 86.5 cm
Photo: John McKenzie
The inevitable heat death of the universe
2023, Wax, human hair, bird skins, mixed media, 350 x 380 x 380 cm
Photo: Nicolas Brasseur
Bear
2023, Traces of taxidermy process, watercolour, pastel, pencil, on paper, 57 x 75.8 cm
Photo: John McKenzie
Act of God
2015, Polythene, nylon, lead, aluminum, dimensions variable,
Photo: Christopher Clem Franken
The Owl and the Pussycat
2014, Barn owl and domestic cat (taxidermy), torn pale blue polythene, nylon, lead, 300 x 150 x 150 cm
I only dared to touch you once I knew that you were dead
2023, 32 page concertina fold book, drypoint and collagraph with hand colouring, 32 x 565.6 x 17.7cm
Photo: Nicolas Brasseur
Exhibition view, Joy in the Pain
Saarlandmuseum Moderne Galerie, 2021
Photo: Tom Gundelwein
Or
2021, Charcoal on paper, 59.4 x 127.9 cm
Photo: John McKenzie
Water on the Brain
2006, 5,300 origami paper boats, fishing line, steel, 160 x 600 x 900 cm
Photo: Claire Morgan Studio
It happens to be
2020, Blue Tit (taxidermy), thistle seeds, nylon, lead, 316 x 285 x 178 cm
Photo: Claire Morgan Studio
Fluid (II)
2009, Crow (taxidermy), strawberries, fishing hooks, nylon, dimensions variable
Softcore
Pastel, pencil, pigment, graphite on paper, 152.5 x 119.5 cm, 2019
Photo: Colin Davison
Murmurations
2016, Polythene, nylon, lead, acrylic, 500 x 1650 x 660 cm
Photo credit: 111 BPR Photography
Throe
2010, Thistle seeds, rooks (taxidermy) , nylon, lead, acrylic, 300 x 180 x 180 cm
Fold (detail)
2023, Found textiles, fox skin, mixed media, in vitrine, 186.5 x 71 x 71 cm
Photo: John McKenzie
If You Go Down to the Woods Today
2014, Muntjac deer (taxidermy), butterflies, polythene, nylon, lead, 300 x 300 x 250cm
Photo: Claire Morgan Studio
States (II): Harder, harder, harder, harder, harder, harder, harder
Pastel, pencil, pigment, graphite on paper, 101.7 x 266.8cm, 2019
Photo: Colin Davison
Exhibition view, Joy in the Pain, Saarlandmuseum Moderne Galerie
Photo: Tom Gundelwein
A New Moon
2005, Polycarbonate structure, 430 x 250 x 250 cm