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A tentative strategy for a renewal, or, wanting to tell you everything and then changing my mind
2021; Thistle seeds, nylon, lead, mixed media; 321 x 955 x 360 cm
Photo: Nicolas Brasseur -
There are no words
2021; Charcoal, pigment on paper; 101.6 x 66.5 cm
Photo: John McKenzie -
There, but for the grace
2021; Stoneware, fox skin, thistle seeds, nylon, lead, mixed media; 300 x 196 x 135 cm
Photo: Tom Gundelwein -
Mourning for real
2021; Chaffinch skin, polythene, nylon, in vitrine; 44.4 x 41.4 x 41.2 cm
Photo: John McKenzie -
Archaeology (10409)
2021; Charcoal on paper; 25.5 x 25.4 cm
Photo: John McKenzie -
But in the end the lines become circles (detail)
2021; Crow skin, dandelion seeds, nylon, in vitrine; 170 x 63.3 x 63.3 cm
Photo: John McKenzie -
There, but for the grace
2021; Charcoal, pastel on paper; 57.8 x 76.4 cm
Photo: Colin Davison -
I couldn’t get enough
2021; Greenfinch skin, polythene, nylon, mirror, in vitrine; 34.4 x 31.1 x 31.1 cm
Photo: John McKenzie -
You showed me how to bleed
2022; Feathers, pastel, pigment on paper; 76.2 x 57.8 cm
Photo: John McKenzie -
Tooth
2021; Glazed stoneware; 11 x 67.5 x 20 cm; Edition of 5
Photo: John McKenzie -
It happens to be
2020; Blue Tit (taxidermy), thistle seeds, nylon, lead; 316 x 285 x 178 cm
Photo: Claire Morgan Studio
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Private Commission. -
Archaeology (11607)
2021; Charcoal on paper; 25.4 x 25.4 cm
Photo: John McKenzie -
Exhibition view: Joy in the Pain
Saarlandmuseum Moderne Galerie, 2021
Photo: Tom Gundelwein -
I thought that love was loss
2021; Willow warbler skin, dandelion seeds, nylon, mirror, in vitrine; 34.3 x 30.1 x 30.2 cm
Photo: John McKenzie -
Snag
2021; Stoneware, animal skins (deer, fox, badger, gannet, squirrel, crow, duckling), mixed media; 181 x 121.5 x 100 cm
Photo: Nicolas Brasseur -
I don’t know how to begin. I don’t know how to stop.
2021; Graphite, pigment, pastel, fox hair on paper; 152.8 x 122 cm
Photo: John McKenzie -
Exhibition view: Joy in the Pain
Saarlandmuseum Moderne Galerie, 2021
Photo: Tom Gundelwein -
Or
2021; Charcoal on paper; 59.4 x 127.9 cm
Photo: John McKenzie -
Exhibition view: A tentative strategy for a renewal, or, wanting to tell you everything and then changing my mind
Galerie Karsten Greve Paris, 2021
Photo: Nicolas Brasseur -
I don’t know where to begin. I don’t know where to stop.
2021; Pastel, pigment on paper; 101.7 x 67.9 cm
Photo: John McKenzie -
Archaeology (10507)
2021; Charcoal on paper; 25.5 x 25.3 cm
Photo: John McKenzie -
Exhibition view: Joy in the Pain
Saarlandmuseum Moderne Galerie, 2021
Photo: Tom Gundelwein -
Snag
2021; Pastel, pencil and watercolour on paper; 37 x 28.3 cm
Photo: David Lawson -
Snag
2021; Stoneware, animal skins (deer, fox, badger, gannet, squirrel, crow, duckling), mixed media; 181 x 121.5 x 100 cm
Photo: Nicolas Brasseur -
Where does the sky start
2021; House sparrow skin, polythene, nylon, mirror, in vitrine; 44.5 x 41.5 x 41.5 cm
Photo: John McKenzie -
All of the things I have ever lost
2021; Torn post-consumer plastic, nylon, lead; 1270 x 500 x 500 cm
Photo: Tom Gundelwein
/
Commissioned by Stiftung Saarländischer Kulturbesitz for the exhibition Joy in the Pain at Saarlandmuseum Moderne Galerie. Now held in the permanent collection. -
Archaeology (12008)
2021; Charcoal on paper; 25.4 x 25.5 cm
Photo: John McKenzie -
It’s the hope that kills you
2022; Feathers, pastel, pigment on paper; 76 x 57.4 cm
Photo: John McKenzie -
Being on fire
2021; Hooded crow skin, polythene, nylon, in vitrine; 170 x 63.3 x 63.3 cm
Photo: John McKenzie -
Archaeology (IV)
2021; Charcoal on paper; 25.4 x 25.4 cm
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Natural causes
2022; Bird skins (blackbird, carrion crow, dunnock, jay, magpie, pheasant, siskin), mixed media; 76 x 44 x 37 cm
Photo: John McKenzie -
Everything you love is just old light
2022; Feather, pastel, pigment on paper; 76 x 57.3 cm
Photo: John McKenzie -
All of the things I have ever lost (detail)
2021; Torn post-consumer plastic, nylon, lead; 1270 x 500 x 500 cm
Photo: Tom Gundelwein -
The first day of autumn
2022; Feathers, pastel, pigment on paper; 76.3 x 57.8 cm
Photo: John McKenzie -
Archaeology (V)
2021; Charcoal on paper; 25.4 x 25.4 cm
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It happens to be (detail)
2020; Blue Tit (taxidermy), thistle seeds, nylon, lead; 316 x 285 x 178 cm
Photo: Claire Morgan Studio -
Exhibition view: Joy in the Pain
Saarlandmuseum Moderne Galerie, 2021
Photo: Tom Gundelwein
A tentative strategy for a renewal, or, wanting to tell you everything and then changing my mind
2021; Thistle seeds, nylon, lead, mixed media; 321 x 955 x 360 cm
Photo: Nicolas BrasseurThere are no words
2021; Charcoal, pigment on paper; 101.6 x 66.5 cm
Photo: John McKenzieThere, but for the grace
2021; Stoneware, fox skin, thistle seeds, nylon, lead, mixed media; 300 x 196 x 135 cm
Photo: Tom GundelweinMourning for real
2021; Chaffinch skin, polythene, nylon, in vitrine; 44.4 x 41.4 x 41.2 cm
Photo: John McKenzieArchaeology (10409)
2021; Charcoal on paper; 25.5 x 25.4 cm
Photo: John McKenzieBut in the end the lines become circles (detail)
2021; Crow skin, dandelion seeds, nylon, in vitrine; 170 x 63.3 x 63.3 cm
Photo: John McKenzieThere, but for the grace
2021; Charcoal, pastel on paper; 57.8 x 76.4 cm
Photo: Colin DavisonI couldn’t get enough
2021; Greenfinch skin, polythene, nylon, mirror, in vitrine; 34.4 x 31.1 x 31.1 cm
Photo: John McKenzieYou showed me how to bleed
2022; Feathers, pastel, pigment on paper; 76.2 x 57.8 cm
Photo: John McKenzieTooth
2021; Glazed stoneware; 11 x 67.5 x 20 cm; Edition of 5
Photo: John McKenzieIt happens to be
2020; Blue Tit (taxidermy), thistle seeds, nylon, lead; 316 x 285 x 178 cm
Photo: Claire Morgan Studio
/
Private Commission.Archaeology (11607)
2021; Charcoal on paper; 25.4 x 25.4 cm
Photo: John McKenzieExhibition view: Joy in the Pain
Saarlandmuseum Moderne Galerie, 2021
Photo: Tom GundelweinI thought that love was loss
2021; Willow warbler skin, dandelion seeds, nylon, mirror, in vitrine; 34.3 x 30.1 x 30.2 cm
Photo: John McKenzieSnag
2021; Stoneware, animal skins (deer, fox, badger, gannet, squirrel, crow, duckling), mixed media; 181 x 121.5 x 100 cm
Photo: Nicolas BrasseurI don’t know how to begin. I don’t know how to stop.
2021; Graphite, pigment, pastel, fox hair on paper; 152.8 x 122 cm
Photo: John McKenzieExhibition view: Joy in the Pain
Saarlandmuseum Moderne Galerie, 2021
Photo: Tom GundelweinOr
2021; Charcoal on paper; 59.4 x 127.9 cm
Photo: John McKenzieExhibition view: A tentative strategy for a renewal, or, wanting to tell you everything and then changing my mind
Galerie Karsten Greve Paris, 2021
Photo: Nicolas BrasseurI don’t know where to begin. I don’t know where to stop.
2021; Pastel, pigment on paper; 101.7 x 67.9 cm
Photo: John McKenzieArchaeology (10507)
2021; Charcoal on paper; 25.5 x 25.3 cm
Photo: John McKenzieExhibition view: Joy in the Pain
Saarlandmuseum Moderne Galerie, 2021
Photo: Tom GundelweinSnag
2021; Pastel, pencil and watercolour on paper; 37 x 28.3 cm
Photo: David LawsonSnag
2021; Stoneware, animal skins (deer, fox, badger, gannet, squirrel, crow, duckling), mixed media; 181 x 121.5 x 100 cm
Photo: Nicolas BrasseurWhere does the sky start
2021; House sparrow skin, polythene, nylon, mirror, in vitrine; 44.5 x 41.5 x 41.5 cm
Photo: John McKenzieAll of the things I have ever lost
2021; Torn post-consumer plastic, nylon, lead; 1270 x 500 x 500 cm
Photo: Tom Gundelwein
/
Commissioned by Stiftung Saarländischer Kulturbesitz for the exhibition Joy in the Pain at Saarlandmuseum Moderne Galerie. Now held in the permanent collection.Archaeology (12008)
2021; Charcoal on paper; 25.4 x 25.5 cm
Photo: John McKenzieIt’s the hope that kills you
2022; Feathers, pastel, pigment on paper; 76 x 57.4 cm
Photo: John McKenzieBeing on fire
2021; Hooded crow skin, polythene, nylon, in vitrine; 170 x 63.3 x 63.3 cm
Photo: John McKenzieArchaeology (IV)
2021; Charcoal on paper; 25.4 x 25.4 cm
Natural causes
2022; Bird skins (blackbird, carrion crow, dunnock, jay, magpie, pheasant, siskin), mixed media; 76 x 44 x 37 cm
Photo: John McKenzieEverything you love is just old light
2022; Feather, pastel, pigment on paper; 76 x 57.3 cm
Photo: John McKenzieAll of the things I have ever lost (detail)
2021; Torn post-consumer plastic, nylon, lead; 1270 x 500 x 500 cm
Photo: Tom GundelweinThe first day of autumn
2022; Feathers, pastel, pigment on paper; 76.3 x 57.8 cm
Photo: John McKenzieArchaeology (V)
2021; Charcoal on paper; 25.4 x 25.4 cm
It happens to be (detail)
2020; Blue Tit (taxidermy), thistle seeds, nylon, lead; 316 x 285 x 178 cm
Photo: Claire Morgan StudioExhibition view: Joy in the Pain
Saarlandmuseum Moderne Galerie, 2021
Photo: Tom Gundelwein